I almost didn't go to my 45th class reunion. The girl we all wanted to be at 18 crossed the room to ask about my jacket.

A letter from a reader

I almost didn't go to my 45th class reunion. The girl we all wanted to be at 18 crossed the room to ask about my jacket.

I have never written anything like this before, but women from my high school class keep messaging me the same question, and I have run out of short ways to answer it.

I almost didn't go to my 45th class reunion.

The invitation came in August, a postcard with our senior class photo on the front, and it sat on the fridge under a magnet for six weeks. Every time I reached for the milk, a hundred and eighty eighteen-year-olds looked back at me. One of them, in the second row with feathered hair and a smile she had practiced in the mirror, was me.

My husband, Doug, asked if I had sent the card back yet. I said I was thinking about it. He has been married to me for thirty-nine years, so he knew what that meant.

Here is what I could not say out loud. A reunion is a room full of people who knew you at eighteen, and every one of them walks in doing the same arithmetic. Who kept her figure. Who went gray. Who looks tired. Who looks like she is trying. At eighteen we measured each other by who was prettiest. At sixty-three it is who aged well, and I was not at all sure which side of that line I was on.

I did not want to be the one people were kind about on the drive home.

So I did what I suspect a lot of us do. Two Saturdays before the reunion, I tried on everything I owned.

First the safe answer: black slacks, a black cardigan, black flats. Black is supposed to be slimming, and you cannot go wrong in it, and I stood in front of the mirror looking like I had come to pay my respects. Black at our age does not make you look thinner. It makes you look tired.

Then the brave answer, which my daughter had talked me into at the mall: a silver sequined top, "because it's a party, Mom." I put it on and felt like I was wearing a costume of a woman I had never been. I knew exactly what Lisa Brandt would think of it, because at eighteen I would have thought it too.

By four o'clock both of them were hanging on the closet door, and I was sitting on the bed in my robe telling Doug I would probably just skip it.

Black slacks and cardigan and a silver sequined top hanging on a closet door
Two Saturdays before. The safe answer and the brave answer, and neither one of them was me.

What I worked out on the bed

Lisa Brandt, I should explain, was homecoming queen in 1980. She had the best hair, the best clothes and the best boyfriend in our town, and every girl in our class, me included, wanted to be her for about four years.

But sitting on that bed, I thought about who I had really admired at eighteen, and it was not Lisa. It was Mrs. Kessler.

Mrs. Kessler taught senior English. She must have been about sixty, the age I am now, and she wore nearly the same thing every day: a herringbone jacket, a white blouse and good slacks, with a velvet collar once the weather turned. Every girl in that school thought she was the most elegant woman in town. Not the prettiest, and certainly not the youngest. The most elegant. She never once looked like she was trying, and she never once looked tired.

That was what I had wrong. I had been choosing between giving up and trying too hard, because those were the only two things in my closet. At a reunion everybody is trying, and you can see it from the door. The women who look best are the ones who look like they have always dressed that way.

Some clothes do that for you. Herringbone, velvet and engraved buttons have been around longer than any of us, and they have never belonged to one season. Nobody looks at herringbone and wonders whether you bought it for tonight. It does not read as effort. It reads as taste.

I did not need to look eighteen again. I needed to look like Mrs. Kessler.

Mine is the Evangeline

I had two weeks. I found what I was looking for at Wentworth & Rowe, a small family shop on King Street in Charleston, South Carolina, that has been there since 1998. This is the first fall they have sold online, which I will come back to.

Mine is the Evangeline. It is an olive herringbone jacket with a low stand collar instead of lapels, deep brown velvet at the cuffs and down the front edge, engraved metal buttons, and two chest pockets with buttoned flaps. If Mrs. Kessler had owned it, she would have worn it from October straight through to March.

The Evangeline Jacket the day it arrived, on the bed
The day it came, eight days before the reunion. Doug looked at it on the bed and said, "Well, that's not black."

The herringbone is dense and brushed, with real weight to it, so it holds its own shape. It is cut close to the body with seams that follow the waist, which matters more than you would think in a room where everybody is quietly checking. On the back there is a line of rust-colored stitching tracing the panels. Nobody needs to see it, and that is exactly why it feels well made.

I wore it over a white shirt and my good dark jeans. Jeans, to a reunion. Two weeks earlier I would never have dared. But the jacket asks for nothing else, and that is the whole point. The plainer everything else is, the more it looks like you have always dressed this way.

The velvet cuff and engraved buttons of the Evangeline over a white shirt cuff
Velvet cuff, engraved buttons, white shirt cuff. Lisa touched this cuff before she said a word.

The second Saturday in October

The reunion was at the Elks lodge on the edge of town, the wood-paneled room where half our class had their wedding receptions, with maroon and gold balloons, our school colors, tied to every chair.

Doug saw me in the front hall before we left and said, "Well, now I'm nervous." In thirty-nine years I have never once made Doug nervous.

Patty, who has organized every reunion since our tenth, was at the check-in table with the name tags. Each one had our senior picture printed on it. She found mine, looked at it, looked at me, and looked at it again. "Susie Bauer," she said. "Look at you."

I had not been inside five minutes when Lisa Brandt crossed the whole room.

The Evangeline Jacket worn at the class reunion

"Susie Bauer. I have been watching you since you walked in. Where on earth did you get that jacket?"

She put her hand on my sleeve, right on the velvet cuff, the way you touch something to check it is real. We talked for most of an hour. She told me about her divorce and her knees and her grandchildren in Arizona, and I realized she had spent forty-five years doing the same arithmetic as the rest of us.

Then she stepped back, looked at me properly, and said, "You know who you look like? Mrs. Kessler."

I have been paid a lot of compliments in sixty-three years. That is the only one I have ever written down.

Lisa was the first. Later, Mark Dunleavy, who I sat behind in chemistry for a whole year, asked Doug twice whether that was really Susie Bauer. And the next morning somebody posted the class photo in our Facebook group, and the messages started. Nine of them so far. Every one asks the same thing.

Walking up the steps of the old high school in the Evangeline Jacket
The Sunday tour of the old school. Forty-five years, and the front steps are exactly as steep.

What I would tell anyone with a reunion coming

One. Do not dress for the girl you were. She is not coming. The people in that room want to see who you turned into, and if you are honest, so do you.

Two. Skip both easy answers. Black says you gave up, and sparkle says you are trying. Look for things that have been around longer than you have: herringbone, velvet, a good engraved button. They read as taste, not effort.

Three. Let one good thing do all the work. A white shirt, dark jeans and one jacket with real character. When the jacket does the talking, nothing else has to.

One more thing, since the button on this page takes you to all of them: the Evangeline is one of ten jackets Wentworth & Rowe make. Mine is the first one you will see.

About the price

I want to be plain about this, because it was the part that made me hesitate.

The Evangeline is $89.95. It was $299.95.

The sequined top cost me more than that, and it went back to the store with the tags still on.

As far as I can tell, the reason is simple. Wentworth & Rowe has been a shop you had to walk into on King Street for twenty-eight years, and this is their first fall selling online. They are marking it with a sale, the way a shop does when it opens a new door. There is no catch that I have found.

I read the small print before I ordered, as I expect you are doing now. Shipping is free in the US, and you have thirty days to send it back if it is not what you hoped. That was enough for me.

If your invitation is on the fridge

If there is an invitation on your fridge right now, under a magnet, go. A reunion, a wedding, the anniversary party where you will see your husband's whole family again. Any room full of people who knew you when.

And before you go, look in your closet. If it is split between black you hide in and one sparkly thing you are not sure about, you are not short of nice clothes. You are short of one jacket that has never had to try.

Two practical things. The First Fall sale is on now, and the most popular sizes go first. And there are ten jackets to choose from, so if the Evangeline is not yours, one of the others will be.

Lisa Brandt has asked me to lunch next month. I already know what I am wearing.

Susan

The Evangeline Jacket

The Evangeline Jacket

XS · S · M · L · XL · 2XL · 3XL

$299.95 $89.95

  • Dense, brushed herringbone with real weight to it
  • Deep brown velvet cuffs and front facing
  • Low stand collar and two buttoned flap chest pockets
  • Engraved metal buttons, worn closed or open
  • Trim, shaped fit with seams that follow the waist
  • Free US shipping

First Fall sale on now. The most popular sizes go first.

Susan Hayes is 63 and lives in Michigan with her husband, Doug. She is not a fashion writer.

Wentworth & Rowe · Free US shipping · 30 day returns

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